ObjectID,Object Number,Classification,Classification,Constituent,Constituent,Constituent,Constituent,Constituent,Constituent,Constituent,Constituent,Constituent,Constituent,Constituent,Constituent,Constituent,Constituent,Constituent,Constituent,Constituent,Constituent,Constituent,Title,Title,Title,Dated,Dated,Dated,Begin ISO Date,End ISO Date,Medium,Medium,Medium,Dimensions,Dimensions,Dimensions,Dimensions,Dimensions,Dimensions,Dimensions,Dimensions,Dimensions,Description,,Credit Line,Alternate Number,School,Period,Stated Value,Currency,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,
LIDO Record ID,Object Identifier,Object Type Identifier,Object Type Keyword,Maker1 Type,Maker1 Identifier,Maker1 Display Name,Maker1 Sort Name,Maker1 Earliest Date,Maker1 Latest Date,Maker1 Role Identifier,Maker1 Role Keyword,Maker2 Type,Maker2 Identifier,Maker2 Display Name,Maker2 Sort Name,Maker2 Earliest Date,Maker2 Latest Date,Maker2 Role Identifier,Maker2 Role Keyword,Attribution Qualifier,Lender Identifier,Lender Name,Title Type,Title/Name,Title Language,Date Type Identifier,Date Type Keyword,Display Date,Date,Date,Material Description,Material Identifier,Material Keyword,Measurement Text,Dimension1,Unit1,Measurement1,Dimension2,Unit2,Measurement2,Dimension Aspect,Dimension Qualifier,Brief Description,Insurance/Indemnity,Credit Line,URI,Period Identifier,Period Keyword,Value,Value Currency,Condition Of Object,Handling,Transport,Condition Checking,Hazards,Temperature Requirements Text,Target Minimum Temperature,Target Maximum Temperature,Maximum Temperature Variation,Minimum Temperature Variation Period,Relative Humidity Requirements Text,Target Minimum Relative Humidity,Target Maximum Relative Humidity,Maximum Relative Humidity Variation,Minimum Relative Humidity Variation Period,Visible Light Exposure Requirements Text,Maximum Light Exposure,Maximum Cumulative Light Exposure,Maximum Cumulative Light Exposure Duration,Ultraviolet Light Exposure Requirements Text,Maximum Ultraviolet Light Strength,Ideal Ultraviolet Light Strength,Upper Ultraviolet Light Wavelength Boundary,Installation Method,Display Method,Security,Photography And Filming,Local Record ID,LIDO Record Type Identifier,LIDO Record Type Keyword,Export Date/Timestamp,Image,Image Type
NG-object-4077,NG35,http://vocab.getty.edu/aat/300033618,paintings,http://terminology.lido-schema.org/actor_type/person,https://data.ng-london.org.uk/0Q3F-0001-0000-0000|http://vocab.getty.edu/ulan/500031075|https://www.wikidata.org/entity/Q47551,Titian,Titian,active about 1506,died 1576,http://vocab.getty.edu/aat/300025103,artist,http://terminology.lido-schema.org/actor_type/person,http://vocab.getty.edu/ulan/500316694,Girolamo Denti,"Denti, Girolamo",about 1510,about 1572,http://vocab.getty.edu/aat/300025103,artist,assisted by,NG|http://vocab.getty.edu/ulan/500125190|https://www.wikidata.org/entity/Q180788,The National Gallery,title,Bacchus and Ariadne,en-GB,http://terminology.lido-schema.org/eventType/production,production,1520-3,1520,1523,Oil on canvas,https://data.ng-london.org.uk/0FLK-0008-0000-0000|http://vocab.getty.edu/aat/300015050|https://data.ng-london.org.uk/0FP6-0008-0000-0000|http://vocab.getty.edu/aat/300014078,oil|canvas,176.5 x 191 cm,height,cm,176.5,width,cm,191,overall,accurate to 0.5 cm,"One of the most famous paintings in the National Gallery, Titian’s Bacchus and Ariadne illustrates a story told by the classical authors Ovid and Catullus. The Cretan princess Ariadne has been abandoned on the Greek island of Naxos by Theseus, whose ship sails away in the distance. Bacchus, god of wine, falls in love at first sight with Ariadne and leaps from his chariot towards her. Later, Bacchus throws Ariadne’s crown into the air, immortalising her as the constellation Corona Borealis, represented by the stars above her head.¬This painting is one of a celebrated series by Giovanni Bellini, Titian and the Ferrarese artist Dosso Dossi, commissioned for the Camerino d‘Alabastro (Alabaster Room) in the Ducal Palace, Ferrara, by Alfonso I d’Este, Duke of Ferrara. All the pictures, completed from 1514 to 1525, are bacchanals – scenes of hedonism, drinking, music making and lovemaking. Titian shows off his great skill as a colourist, combining in this single picture all of the purest and most vibrant pigments available at that time.",The Objects shall be at the Borrower’s risk at all times during the Risk Period and the Borrower shall at its own cost throughout the Risk Period arrange for the Objects to be covered nail to nail either by: Government Indemnity on terms approved by the Lenders; or an all risks commercial insurance policy (including terrorism in situ and in transit and negligence or other wrongful act of any party except for the Lenders’ employees) in the amount of the Agreed Value without excess and naming the Lenders as the assured and sole loss payee under the policy and with an insurer approved by the Lenders.¬The Borrower shall provide an English language copy of the full insurance policy and/or Government Indemnity wording for approval by the NG Registrar at least three (3) months in advance of the Exhibition opening date.  The Borrower shall provide the Lenders with the final insurance and/or Government Indemnity certificate and final policy wording four (4) weeks in advance of the commencement of the Risk Period.,"Lent by the National Gallery, London",https://data.ng-london.org.uk/0F6J-0001-0000-0000,https://data.ng-london.org.uk/0F5F-0008-0000-0000|http://vocab.getty.edu/aat/300021142,High Renaissance,1,GBP,good,The Borrower shall ensure that any person used to move the Painting shall have experience in the handling of works of art; that the Painting is kept vertical at all times; that a minimum of four people are used to move the Painting; that no mechanical aids are used when moving the Painting.,"The Borrower shall ensure that the appointment of Fine Art transport agents and the arrangements for transport, unpacking and repacking of the Paintings are approved in advance by the NG Registrar. The Borrower shall ensure that any transport company used to move the Paintings shall have experience in the transport of works of art with employees trained in the handling of such material and in dealing with port procedures, Customs & Excise, import, export formalities and documentation. The Borrower shall ensure that each vehicle used to transport the Paintings and Courier by road: is manned by two drivers experienced in handling works of art and capable of dealing effectively with an emergency situation; has solid sides and roof with a windowless freight compartment separate from the driving cab; is equipped with locking devices with alarms in the van and cab and arrangements are made for route monitoring; has air-ride suspension to protect against vibration and shock; and climate control equipment to protect against extremes in relative humidity and temperature and the ability to monitor environmental conditions in the van for the duration of the journey; is equipped with fire fighting equipment and its crew is experienced in its use; is equipped with, or the drivers carry a mobile radio/telephone; is equipped with a seat (with seat belt, headrest and adequate legroom) for the Courier; or, if there is no space in a vehicle for the Courier, that the Courier travels in a follow car which is equipped with mobile radio/telephone which can communicate directly with the truck drivers; is never left unattended when the Paintings are on board.",The NG shall prepare condition reports for the Paintings.,Heavy (> 100 kg),16-25°C ± 1.5°C over 24 hours if the object is installed in a room equipped with an operating Heating Ventilation and Air-Conditioning (HVAC) system|17.5-23.5°C ± 3°C over 24 hours if the object is not installed in a room equipped with an operating Heating Ventilation and Air-Conditioning (HVAC) system,16 °C|17.5 °C,25 °C|23.5 °C,± 1.5 °C|± 3 °C,24 h|24 h,50-60% ± 5% over 24 hours if the object is installed in a room equipped with an operating Heating Ventilation and Air-Conditioning (HVAC) system|50-60% ± 15% over the risk period if the object is installed in a room equipped with an operating Heating Ventilation and Air-Conditioning (HVAC) system|45-65% ± 10% over 24 hours if the object is not installed in a room equipped with an operating Heating Ventilation and Air-Conditioning (HVAC) system|45-65% ± 15% over the risk period if the object is not installed in a room equipped with an operating Heating Ventilation and Air-Conditioning (HVAC) system,50 %|50 %|45 %|45 %,60 %|60 %|65 %|65 %,± 5%|± 15%|± 10%|± 15%,24 h|2040 h|24 h|2040 h,"225 lux (no more than 12,600 lux hours per week)",225 lx,12600 lx⋅h,7 d,maximum 75 μW/lm below 380 nm,75 μW/lm,0 μW/lm,380 nm,The Borrower shall ensure: that the hanging method used to secure the Paintings to the wall is approved in advance by the NG Registrar.,The Borrower shall ensure: that unglazed Paintings are protected behind a physical barrier rail one metre from the wall.,The Borrower shall ensure: that a sufficient number of guards is present in the building 24 hours a day seven days a week or is present during public or normal working hours with a modern intruder detection alarm system covering all possible entrances in operation during night hours or when the building is closed or otherwise not in normal use; that the intruder and fire detection systems are connected by a monitored signalling device to an alarm receiving centre or the emergency services unless they are monitored at all times by security personnel and that the systems are serviced annually and maintained in good working condition; that exhibition galleries where NG Paintings are located during installation and deinstallation are under guard during working hours with access to the areas limited to essential personnel and the galleries secured when staff are not working; that the hanging method used to secure the Paintings to the wall is approved in advance by the NG Registrar; that unglazed Paintings are protected behind a physical barrier rail one metre from the wall; that constant invigilation is maintained in the relevant exhibition are as near to or within sight of the Paintings during public hours.,"Filming and/or photography of the Paintings, packing cases or hanging methods is not permitted at any time during packing or unpacking, condition checking, installation or de -installation, when the loan is being handled in transit, or in any other circumstances where in the courier’s opinion the safety of the painting might thereby be compromised.¬The Borrower shall apply to the National Gallery Picture Library (www.nationalgalleryimages.co.uk) for permission to reproduce images for the exhibition catalogue and any exhibition related publications as well as for non-commercial, archival, educational and promotional purposes. The Borrower shall obtain images from the National Gallery Picture Library. The NG owns the copyright in all photographic material supplied in whatever format , including digital. The Borrower shall apply to the National Gallery Picture Library for information regarding copyright and the terms and conditions for reproduction and colour transparency hire. The Borrower shall send 2 copies of the exhibition catalogue or related publication to the NG Registrar.",object-4077,http://terminology.lido-schema.org/recordType/item-level_record,Item-level record,2020-06-02T22:51:55+01:00,file:/./N-0035-00-000177-wpu.jpg,jpg